Japan during and before World War II
was mostly dominated by a culture of progress, tradition and honor.
The ambition of conquest and growth from Japan's military leaders
required complete support from the Japanese people, therefore the
leaders created propaganda based on the existing values of Japanese
society. Some men worked hard for the pride of their country, others
worked and served for the honor that their family must uphold, but a
man would always work. After the war ended when Hiroshima and
Nagasaki were destroyed and Japan surrendered, many Japanese people
were faced with a completely new way of life. Instead of working for
his honor or his state, he worked for himself. When a man couldn't
find work, it's reasonable to imagine that he had nothing to live
for.
Today I visited the Dixie Wing Commemorative Air Force museum at Falcon Field, Peachtree City. I was led through the museum by a member of the crew working there who showed me the work that goes into the maintenance and creation of airplanes at the hangar. I was also shown the museum section of the hangar which displayed World War II exhibits that featured a small to-scale figurine of the Enola Gay, the bomber that dropped the atomic bomb on Hiroshima. All the two hundred and twenty workers at this establishment are volunteers that use specialized skills in order to build and restore and maintain the complicated, working aircraft. Currently they've been focusing on the P-63 KingCobra which has been a restoration of the base since 1996, and just recently has had its engine installed, an event, our guide tells us, he's been waiting for for more than a decade of his life. These volunteers take time from their day to do trying and difficult work that doesn't directly benefit them. Instead, they can look at all the hard work they performed as it gracefully flies through the heavens. While they may be still stuck paying bills that they are forced to take donations for, these men and women found something that is separated from the logic and burden of society. Something that is just beautiful and their own. A pride of work that it seems the socially isolated can't find. There rarely is a work that hikikomori does in his room that he can touch, listen to, talk about with his friends who helped him make it, like that of the planes built from scratch with custom remade parts, precision welded and perfectly painted.
Howard Hughes was a successful American aviator, film producer, entrepreneur and hermit who created films and aircraft shortly before, during and soon after the years of World War II (1932-1947). During this time period he lived an exorbitant lifestyle, only doing what he wanted to do. Creating films like Hell's Angels which he likely made because he wanted to explore aviation more than he wanted to make money. After some time creating movies in the 1930s he ventured to create airplanes by creating "Hughes Aircraft Company" in 1933 which created many successful aircraft during and before the war. However, when the war ended Hughes had difficulty finding direction in life. He became distrusting of people and near the end of his life, despite his amassed riches (2 billion dollars) he died emaciated and sick after years of seclusion.(Thomas) Displaying many of the classic descriptions of a hikikomori, Hughes may provide insight on what can cause hikikomori to happen. Hughes had lost direction. Where he had once been confident and proud that his success was almost guaranteed in life, he had suddenly realized that the world who he wished to stay with forever had moved on from him. Hikikomori face similar problems when they isolate, they leave school due to failure or isolate themselves after they leave school and can't find a job. Howard Hughes was by no means a failure, but the confidence in absolute success, like that of many students in Japanese society are expected to have, was destroyed. Perhaps avoiding this mindset could help Japanese youth escape from social isolation. Ironically, what's considered Hughes's most lasting achievement isn't one of his lifelong works, instead it is the medical institute made in his name near the end of his life that still exists today.
Thomas, Tony. "American National Biography Online: Hughes, Howard." American National Biography Online: Hughes, Howard. Oxford University Press, n.d. Web. 03 May 2014.
In addition to visiting the Dixie Commemorative Air Force Museum in person I also accessed the website of the museum. There, I found specific information about the planes at the hangar that any tour guide could never provide such as the exact date the P-51 mustang was taken in by the establishment or what airplane beat out the p-63 KingCobra for U.S. use during World War II. Despite this however, you can not see the small figurines of famous planes such as the Enola Gay or stand in the middle of the workshop floor as volunteers work tirelessly on their restoration of the p-63. A hikikomori would probably see the website and say that it provided everything essential the museum provided, but it doesn't present the soul the establishment brings. You can see a picture of the aircraft in the air, but you can get a first hand look of the aircraft as you stand on top of it, or see it take off in person, or see a man tediously work to create a small metal piece from hand for the aircraft. Hikikomoris feel like they can adequately grasp the world from their room, but the world they see is only a twisted up version of the real one. Hikikomori are afraid to look at the world because they think it hates them. They think they have no reason to be a part of society. What they don't realize is that many places outside aren't necessarily society. Places like this don't have an agenda, nor do they have long term aspirations for growth, they exist to look at beauty. I think hikikomoris don't need necessarily need therapy or drugs, they just need a new direction, they just need to look for beauty.